A couple weeks ago I finished the first draft of METAPHOR FOR MURDER, the third book in my Mystery Writer’s mysteries.
Here are the final, first draft stats:
Total words: 59,173
Total hours: 54
Total writing days: 24
Average words per hour: 1,096
Total pages: 210
I learn — or relearn — something with each manuscript I write. Two things got my attention this time.
One, I should have gone back to read pertinent parts of FICTION CAN BE MURDER to reacquaint myself with some characters I hadn’t seen in awhile. I took too much of my writing time trying to remember the nuance of some of my people. It bogged me down and zapped my momentum.
Two, my vision for the final showdown was weak. And this actually happens all too often. I think, because the story is so much in my head that I expect I know the blocking of the scene better than I really do. I need to take more time with the minutiae of important scenes like this. Again, it slowed me way down and annoyed me.
Now I’m well into the revision stage. This is where I fill in all the blanks I left. When I’m writing the first draft, instead of going backward to find and fix something I’ve already written, I leave notes to myself … He should have called her at some point during the day …… check the timeline, should it be dark yet?
I also write some fairly boring sentences, with a lot of bland or repetitive words, passive verbs, and incomplete description.
If I can’t immediately come up with the right words, I use placeholders like —
I was dug in like a [ ]
She made [frustration noises]
[Describe the room, mentioning the worn spot in the carpet]
Then during Phase Two, when I make that first revision pass-through, I know I have to plug those holes or look up some minor research question right away. I have to stop and determine what Peter O’Drool’s squeaky toy is going to look like (rainbow-colored plush flamingo, for those of you playing along at home). I have to look up potentillas to remind myself what color their flowers are (yellow). I have to decide on all the questions those toddlers are going to ask before I move on (so … many … questions!).
Even though it slows me down in Phase Two.
But by the time I get all that done through the entire manuscript, I get to go back to page one, this time grounding the reader in the story using all the senses, adding layers of theme and emotion, making the funny bits funnier, the mystery bits more mysterious, the clues more hidden or maybe more visible, the writing more vibrant.
It sounds like work, but what do they say about doing a job you love? You’ll never work a day in your life.
Remind me of this when I’m in full-fledged tantrum mode, hating both my book and myself.
Do you keep statistics on your progress for anything? Do you find it as comforting and as fascinating as I find my stats? Do you think it keeps you on track or otherwise benefits you? I also track my weight first thing every morning and I know that keeps me a bit more honest with my food choices during the day.